Edgar Degas was a prominent member of a seminal art community in Paris in the 1870’s that brought us Impressionism though he did not consider himself an impressionist but a realist. He was intrigued by the impact of light and painted scenes from the life around him in novel ways. He sought extremes of movement. Here is an example of this intrigue and the only circus scene credited to Degas.  The Cirque Fernando was located near him and he went often. Here he shows us the daring circus performer, Miss Lala, hanging by her teeth near the ceiling. We see her in profile and looking up as if from a seat in the audience.  What a remarkable work in perspective and in color as Degas plays with tints and shades of complimentary and tertiary values. This frozen moment calls us to pause and let our eyes slowly roam the frame.

This work by a forward thinking artist seems a fitting prayer to those on the cutting edge of every field from climate science to music composition. These, steeped and guided by the possibly unrecognized spirit of God, move humankind forward in all ways and means. May we give thanks for their offerings in God’s Holy name. Amen.

In gratitude, faith and hope,

Sandy Prouty
Minister of Children and Families
Montview Church